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Guitar Pro 7.5 lets you open tab files and see the tab on the screen.

You can loop any section and you can even slow the tempo down.

Now customize the tunings of your tracks string by string in just one click.

Of course, those custom tunings are reflected on the Fretlight as well.just dont forget to change the tuning on the Fretlight itself.

By dragging over an area of a tab (or selecting the entire tab), the scale function in Guitar Pro 7.5 will automatically suggest the correct scales to use over the song in order of most useful to least useful and of course, that scale will light up on your Fretlight guitar.

So, whats to keep, whats to change, what do you want to see in Guitar Pro 7 Heres my own list.

As an avid user of Guitar Pro since their 5th iteration, I have a few things I wish for: Keep the fully configurable n-tolets (the -n:m- thing).

This is important because Ive encountered more than a few times but more noticeable in Blotted Sciences Cretaceous Chasm tolets that dont play against 4s or 2s, the example here would be a 6:7 polyrhythm.

It can be approximated without the n:m function, but it looks terrible, and its quite a pain to find out, look at that tab I made for an idea of how atrocious it looks.

It sure can be enhanced, however: n-tolets crossing over bars, for example, should definitely be a feature Ditch the RSE completely.

Guitar Pro, to me, is a compositional and play-along software.

Its useful both to composers who want to write new music, and to musicians who want to learn a new song.

The previous versions of RSE (Realistic Sound Engine), were okay because they didnt get too much in the way, they did sound awful but at least they didnt bother you.

In GP6, there are at least two tabs entirely devoted to that Moreover, if you want it to sound reasonably tolerable, youll have to spend a good amount of time mixing your instruments.

You see whats the problem here I dont want to be spending time tinkering with the sound of the instruments in the tab Im writing or playing along to.

In either case, the sound isnt that important because thats not how youll export it; in the end, youll either record your new song with real instruments or softwares better suited for that, or play the song you learned with a live band.

It doesnt sound natural at all, but at least you know what is what, and you can hear every instrument played together perfectly which is useful when you want to hear if somethings wrong.

The only reason Ive installed RSE on GP6 is because it was required to export tabs in WAV format which can be especially useful when recording a song but that also bring the next point: The export to WAV function in GP6 is done better than in GP5, except you cant export the MIDI player, unlike its older brother.

Exporting in WAV in GP5 was a mess: you were required to actually play the song, and it was recorded with either the default system devices or another recording device of your choice, but that means that it takes as long as the song is to render it, and if there are noise around you or from your computer, they will be kept in the WAV file.

Nonsense GP6 did a better job because it actually renders the piece at a faster rate, and doesnt require you to play it at all, but it wont allow you to export it if youre not using RSE With all the bad things Ive said about RSE in the previous point, youll understand that this is unforgivable.

Let us export MIDI into WAV, for Gods sake Stop putting arbitrary limits to the number of strings an instrument can have Instead, put practical limits: for example, limit the number of strings on a tab to how much fit on a sheet.

It might sound silly, but if you play with a Warr Guitar or a Chapman Stick, which can have 10, 12, or even more independent strings, sometimes up to 24, youd need at least 2 separate tracks on the tablature, and thats really annoying to work with.

Bring back tablatures for percussions and keyboards Please Not everyone is proficient with classical notation, and a lot less are proficient with drums notations.

Even if it makes no sense to put numbers on strings for a drum, or a keyboard, or a clarinet, etc.

We still get used to it, I can even tell you that 36 is the kick, 38 is the snare, 46 is the open hi-hat, and so on, but I have no clue about what the classical notation for drummers means Let us just put numbers on a tablature for drums, and any other instrument, just because its way easier, and more user-friendly.

Bring on microtonality I mean, more than hardly accessible quarter-tones, I want the whole deal With the advent of xenharmonic artists, Brendan Byrnes to me in particular, microtonality is becoming more and more popular.

However, the softwares to create such music are rare, expensive, and not that user-friendly at all.

Ive recently tried out Mus2 (Musiki), which makes a wonderful job for microtonal fans You can decide your tuning with such liberty: decide how many notes are in your scale, decide down to the precise Hertz the frequency of each note in your scale, or let the software figure it out by feeding him ratios or cents.

Guitar Pro 7 Software